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If there's something that connects both the Netflix special and the Brooklyn exhibit, it's the nature of fame. “This is less about Picasso and more about how we talk about very, very fallible men who we refuse to see as that once they’re geniuses.” “I knew this year was just going to be an overload of people salivating over Picasso without really interrogating his problematic contribution to the idea of genius,” Gadsby says. The show, coming as 2023 marks the 50th anniversary of the artist's death, is titled “It’s Pablo-matic: Picasso According to Hannah Gadsby,” it promises a new look at the Cubist's legacy “through a critical, contemporary and feminist lens” and an audio tour by Gadsby. I’m not scrambling to be normal anymore, whatever that means.”įans who adore Gadsby's revolutionary take on art history - a large portion of “Nanette” called out the inexcusable behavior of art's most towering figures like Pablo Picasso - will find more of that at an exhibition they organized at the Brooklyn Museum this summer. “Now I feel like I have a lot more control. It has given me the confidence to understand my framing of things, which I think has made writing easier,” they say. It means Gadsby doesn't worry about understanding everything, conserves more energy and offers a bit more control. The new show gives viewers a glimpse of how Gadsby sometimes misunderstands social queues and intentions.Īsked in the interview, they say the diagnosis has been freeing, in a way. “Something Special” builds from “Douglas,” where Gadsby revealed their diagnosis of high-functioning autism. That seems like too high a price,” they say. “If I need to suffer in order to be a world-class comic, I don’t care much to be a world-class comic. Gadsby is one of those people who doesn't believe suffering is needed to make good art and notes they don't need to generate any more since there's plenty to mine from their past. Because I wasn’t and I made a dog’s breakfast of it.” But just on the off chance you find yourself famous, you’d better be prepared. Of fame onstage, Gadsby says: “Don’t expect it, that’s gross. In one section, Gadsby admits they were ill-prepared for fame, illustrated by a story of giving a very non-diplomatic reaction to getting a birthday gift from Jodie Foster.

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“It’s only been in recent years that I’ve learned how to make lasting connections through the diagnosis and confidence and things like that. For someone on the spectrum, it can be really lonely,” Gadsby says. “Part of what I like to do on stage is I want other people to love what I love. Their relationship deepened during the pandemic, and Shamash now lives in Australia with Gadsby and their two dogs, Douglas and Jasper. Gadsby calls it a “love letter” to their wife, Jenney Shamash, an American producer. The critters are part of two tent-pole stories, one involving an ex-girlfriend and another their wife. If there is a motif this time, it is rabbits. It's still a typically Gadsby set, with personal observances and sudden quick-thrust political critiques, culminating in a climax at the end in which they draw together many of the jokes that have been talked about. “Yeah, I’m much better at being happier than she is. “I really want people to not know what I will do next, because therefore I am not under the pressure of delivering something.”Īsked it they're a little like Adele albums, in that they preserve a moment in time, Gadsby laughs. “In every one of my shows, I’m always talking about where I am a particular moment in my life,” they say in the interview. The new hourlong stand-up special recorded at the Sydney Opera house in Australia explores marriage, sudden fame, parenting styles, cultural differences and life with autism. Nobody is really that pleased watching someone be happy,” they said. “It’s much more difficult to do comedy around a positive theme. Gadsby, who uses the pronoun they, is in many ways going back to the style of comedy they employed before exploding to fame with the special “Nanette” in 2018, which had deeply affecting stories of violence, homophobia, misogyny and shame.